Bread, Love, and Cha-Cha-Cha :: The Blog of Carolyn Belefski
Curls Studio experienced CulpeperCon this past Saturday with a display at their Artist Alley in the morning. Joe Carabeo debuted his new 2026 filmmaking reel during his presentation. I gave my "Fine Toon Your Life" comics workshop including an engaging Q&A segment in the afternoon. Several people walked away from the presentation with a freshly drawn comic and a start to their career in cartooning!
The year 2025 was a good "growth" year for me as a person. In January I was sick most of the month, there was no productivity to lead the year because of illness. It really took the wind out of my sails for a bit. I became more physically active by February through the end of November. A big priority for me this year and moving forward is to gain strength, so I put a lot of focus on that personally. I took a break from crowdfunding this year, but am not against doing it again in the future when the timing is right.
I was asked to be speak at Culpeper Con my keynote was titled "How Comics Shape Minds and Health" and that was in March. We had a good time at Awesome Con in April and Joe presented the Awesome Con Short Film Festival with Astray Productions. In May I attended events for Cartoonists Rights and the Herblock Awards.
In July I entered a Jack White button design contest put on by @tmrcreativecollective. I won runner-up for "single button" category and they sent me a bunch of posters, a few buttons, stickers, and an enamel pin by Matthew Jacobson.
A highlight of the year for me was to be able to have a meet-and-greet experience with Benji and Joel Madden from Good Charlotte at a Southern Maryland Blue Crabs baseball game. I showed them an illustration I did of the band. It was motivating to hear their positive and encouraging words. I also got to take a photo with their mascots! That same week I entered Sloppy Mama's BBQ inaugural Pickle Party and won Best Pickle award! I even did some comic strips for Curls about the pickle contest, so I guess art imitated life in that instance.
Without knowing it at the time, we had the last Fairfax Comic Con at the Dulles Expo Center in August. The location will now become an IKEA and the convention is looking for a new location. In September my creative juices were flowing at Small Press Expo and I enjoyed being in a huge ballroom with so many talented creators.
New York Comic Con was an absolute blast this year. Reaffirming why it is the biggest show we do because it's simply an amazing place to be. The city. The food. The exhibits. I really enjoyed taking it all in. Plus the surprise of the year was meeting the wrestler and musician Real1 (formerly known as Enzo Amore) at the booth directly behind ours. Please read my NYCC 2025 recap because I covered a lot of the show aspects if you want to do a deeper dive. We actually got to visit NYC twice this year (Joe went a third time for work)!
Baltimore Comic-Con was memorable because we got to take part in the BCC Yearbook featuring Jeff Smith's Bone. It is delightful to have a piece in the yearbook with my Curls characters interacting with Bone characters. I was not able to talk to Jeff Smith at the show, but I did see him and his long line (I have met him a couple times before). It is really cool to see him honored and respected for all his hard work and achievements in the industry.
In the fall filmmaker Joe Carabeo released "Paul Pope: THB," a documentary on best-selling comic book revolutionary and creator Paul Pope. You can watch it on YouTube.
Cartoonists Draw Blood was revived this year with some new blood (see what I did there). The National Cartoonists Society Washington, DC chapter was represented by Colleen Doran, John Gallagher, Steve Artley, Joe Sutliff, Ruthi Postow, and myself. We drew for people who donated blood. Can you believe this was our 12th event with American Red Cross and NCS DC?
To close out the year, I recently won a contest hosted by Fairfax County Public Library for their new library cards releasing in mid-January as a regular library card, keychain, and bookmark. You can read more about the process on my newly created Substack and in the FFXnow article that came out a few days ago.
Here is the full list of our 2025 tour for comic conventions and appearances:
March 22 • CulpeperCon
April 4-6 • Awesome Con DC
May 18 • Spring Lot Con
June 28-29 • Tidewater Comicon
July 19 • Dog Days of Summer
August 23-24 • Fairfax Comic Con
September 13-14 • Small Press Expo
October 9-12 • New York Comic Con
October 17-19 • Baltimore Comic-Con
October 26 • Fall Lot Con
November 15 • Local Author Book Festival
November 22 • Cartoonists Draw Blood
We also went to a number of live wrestling events (in Maryland, Pennsylvania, and the District) and got to see the final John Cena match, which took place in Washington, DC. I participated in SCBWI events and am excited to learn from them. I also hope to build up the NCS DC chapter so we can do more. Curls Studio is looking forward to 2026 with a goal of creating more comics and storytelling!
After completing New York Comic-Con the weekend before, Curls Studio went on to Baltimore Comic-Con four days later. The main highlight of the show was the yearbook theme of Bone by Jeff Smith.
On Saturday evening, I visited three friends I haven't seen in awhile and we had pizza. One of them lives several hours away I had only seen once since high school, so it was good to catch up and be united again! During that time Joe Carabeo was directing the Ringo Awards Ceremony and working on the livestream online. You can watch the video replay here: https://www.youtube.com/watch?v=UTS-dbRrWR0
On Sunday I got to see Jeff Smith visit the table of a young artist, Sam "Kidlet" Deans, who took a photo with him to recreate a photo she took with him 13 years earlier. Her table was directly across from me, so it was an awesome moment to witness her holding her yearbook page and pose with a legendary cartoonist.
I went to the Charles Vess booth on Sunday and enjoyed seeing his work in-person. I also learned that the Baltimore Convention Center houses 70,000 bees in two beehives on the roof. We had a fun time in Baltimore and I am excited to see what 2026 will bring.
New York Comic Con took place last month and Curls Studio had great adventures in the city. We stayed at a different hotel than our usual because the price was astronomically high and it ended up being a fun room to stay in that served our minimal needs.
NYCC is a four day show, and we need to be at the booth for nine hours each day (however Sunday is only a seven hour day and then load-out after). Needless to say it is an exciting and exhausting event. Even if we have to hop right back to work the next day on Monday, the effects of NYCC can sometimes be felt for a few weeks! I have recovered, but the fact that I'm writing this full blog recap a month later could tell you something (we also had Baltimore Comic-Con the following weekend).
The new Curls book debuted as a convention exclusive limited edition (second con-exclusive book that you can only get in-person). We had the new Scott Morse "This Ink Runs Cold" collaboration book that Joe Carabeo wrote a story for. Joe also debuted his Toni Storm Direct To Ink book.
This year I noticed a lot of Asian influences (Gashapon capsule machines, video games, and more) and overall Halloween vibe. The theme was "Haunted" after all, so I think a lot of people were jumping on that and celebrating all October. For freebies, a lot of publishers and vendors were giving away stickers. Stickers everywhere. Labubu everywhere. Pop culture themed candy everywhere. Claw machines. Attendees sometimes needed to wait in a line to play a game to win a promo item (or a coveted Labubu grand prize), so it felt more interactive to "win" something for your time rather than a grab-and-go.
I'm still keeping in touch with Jean Schapowal and the other master cake artists so on Thursday I went to their Cakes With Character booth. Last year I worked with them to provide art for a large pinback button that was exclusive to the show. This year their theme was "Pop Culture Pop-Up Boutique" with all wearable art -- think purses, backpacks, bracelets -- all made from cake! I thought the Stanley "Stan Lee" Cup was very clever. I will be doing a whole dedicated post to their booth experience on Instagram soon.
On Friday I met cartoonists Kyle Baker (who I didn't even know was going to be there and he was randomly in a corner area of the show floor, if we didn't turn that direction we would have missed) and Sam Grinberg (who I have been following on IG and have been a fan of for awhile, but have never met -- his booth appearance was for only one hour and he said he had not been to NYCC in twelve years). I also saw Post Malone from a few feet away and John Cena's Peacemaker outfit on display.
Saturday was fantastic because unexpected things can happen at NYCC. Guess who is standing to my left at the table directly behind us? Enzo. Amore. Let me tell you a story: Enzo Amore is a former WWE wrestler and I've been a fan of him when he was always on TV. I created three pieces of fan art to represent that at the time (one was a Curls comic strip). I was enthralled whenever I heard his entrance music and amazed at his mic skills. But then he was suddenly released from WWE in January 2018 (history note: there was also a U.S. government shutdown then too). The very next day I had tickets to a WWE event he was most likely going to be at. I had my Certified G shirt on ready to go. You can go look up what happened if you didn't know, but ultimately he was wrongly accused of something he didn't do and he said he never even got a call from the police. Ultimately he never informed WWE of allegations before they went public (in this case "viral" online), so it makes the company look bad even if he is innocent. So fast forward over seven years later this is a major payoff to see him after all that wait -- and the proximity to our table? Crazy.
Enzo is currently known as Real1. He was nice and caught me up to speed on what he is doing right now in wrestling and music. He talked to me about his grandma named Grace and showed me a banner across from him that said "Grace" so it was a magic moment for all to be there in that occasion. I had the first con-exclusive Curls book with me that has the Enzo mention in the comic strip and he signed it for me and took a photo with me. This is the type of stuff that can only happen at NYCC (and if you read my 2022 recap I mention missing him at NYCC because I didn't know he was there until later).
Also on Saturday I saw Jim Lee drawing the face of Wonder Woman at the eBay stage. He was giving an art lesson as he drew and they auctioned it off for $3,350. I also met Gabriela Epstein, one of the cartoonists of "The Baby-Sitters Club" at Scholastic.
Sunday was a standard day at the show. Overall the vibe was very positive this year (not like it wasn't before, but it felt happy with every one excited to be there). The energy of this show was really great and takes so much effort to put on and display work, or items for sale, or cosplay, or even the nature of physically being there. The photo above showcases some of our fans who purchased from our table. New York treated us well with bagels, tacos, pizza, and tasty ramen. We hope to be back at NYCC with new comics and products in the future.
During Small Press Expo 2025 we split up the table duties -- Joe Carabeo exhibited on September 13 and I did the hosting September 14. Some highlights were that we premiered a "Roxy and Dean" story in the new issue of Washington DC's comic newspaper Magic Bullet issue 23, I attended "Jokes! Jokes! Jokes! A New Yorker Gag Workshop" with Hilary Campbell, and I purchased the new Mimi Pond book Do Admit: The Mitford Sisters and Me and got to meet her. It was a great show to catch up with fellow cartoonists and see some familiar and new faces. We hope to be back next year!
We are back from Tidewater Comicon in Virginia Beach! Curls Studio had a great time and enjoyed catching up with fellow exhibitors. Our booth was next to Ben Bishop, who we first met in 2008 at our very first New York Comic Con. It was great to reminisce with him and also say hello to the Kids Love Comics crew and even enjoy their programming (see pencil photo that matches my nail polish choices perfectly).
We did get to spend a short amount of time at the beach before the show on both days -- even after waking up early to enjoy that experience it was definitely HOT! It's always a cool opportunity to sell comics within walking distance to the Atlantic Ocean.
As with shows they must go on and roll with the punches -- one of the main guests Alan Tudyk could not appear due to plane flight issues with American Airlines. I didn't see any of the celebrities, but did get to walk around a bit to see the show floor. Big thanks to the crew and organizers of Tidewater Comicon -- we hope to be back in the future.
In January we kicked off the year with a Make 100 Kickstarter project for Total Solar Eclipse Enamel Pin to celebrate the Total Solar Eclipse that visited North America on April 8. I got to view it from inside the path of totality in-person at Niagara Falls. I also got to visit Canada for a few hours (my first time going out of the country).
At Awesome Con I got to take part in the panel "The Other Side of the Table: Lessons from Creators" with Maria Laura Sanapo, Chris Mariano, and Marc Gaffen. Joe Carabeo presented the Awesome Con Short Film Fest.
To expand the crowdfunding opportunities, I took part in "Pintopia 2" from BackerKit by designing a Peach Fuzz Enamel Pin for my Pantone Color of the Year project (which I have been doing for the past five years). I also ran a Kickstarter for the Cicada design that was created in 2021, but I introduced a new colorway in 2024 to represent the green Annual Cicada.
A highlight of being in New York during the time of New York Comic Con was visiting Philippe Labaune Gallery for the Mike Mignola exhibit and getting to meet the artist himself! I also got to eat at Katz's Delicatessen and attend the Harvey Awards. Ay NYCC Curls Studio had a collaboration with Cakes with Character by Jean Schapowal in which we offered a large complementary pinback button if you visited both of our booths.
We continued to exhibit at comic conventions and events. Here is our 2024 Tour list:
March 8-10 • Awesome Con
May 19 • Comic Logic Spring Lot Con
June 23 • STORYBOX Comics Fair
August 17-18 • Fairfax Comic Con
September 14-15 • Small Press Expo
September 20-22 • Baltimore Comic-Con
October 17-20 • New York Comic Con
October 25 • McKay Used Books Book-or-Treat
October 27 • Comic Logic Fall Lot Con
Overall, I did a good amount of freelance work this year with design and illustrations and that is where a lot of my time went toward as well as networking to gain clients. Curls Studio is looking forward to 2025 with a goal of creating more comics and storytelling!
We enjoyed being in the city and got to experience wonderful dining at Planet Taco (I had the three "Out Of This World" tacos -- Mars Vegetarian Chorizo, Venus, and Saturn). We ate pizza from three different joints over the course of our stay and I had my first Everything Egg Bagel (not to be confused with egg filling inside, but imagine an egg bagel with everything spices on top).
On Friday night I walked over to Poster House for their First Friday events with free admission. The exhibits "Masked Vigilantes On Silent Motorbikes" and "Air-India’s Maharaja: Advertising Gone Rogue" were on display and I met up with a friend at the museum. We both had dice readings from Maia Lorian. Look for my Instagram (@CarolynBelefski) to be updated with a post solely about my participation at Poster House within the next few weeks. Afterwards we ate at Eataly, our most expensive meal of the trip. It was tasty, but not filling enough. I was so hungry and ended up getting a slice of pizza later on at night.
I got to play ping pong at PingPod. I visited Coney Island and it was a better experience than last year when the weather was drizzling and the town didn't look as vibrant as it could be on a nicer day. I rode Deno's Wonder Wheel for the first time! Luna Park was decorated for Halloween and they had a fog bubble machine. When popped, the grayish bubbles let out mystical fog. I learned that apparently Nathan's does not make the creamy orange shake anymore (so I'm glad to have gotten that last year).
After the show we heard that former WWE wrestler Enzo Amore was at NYCC at a table about a two minute walk away from our booth. I didn't know he was there and missed him, but it would have been great to see him. Reminds me of how last year I found out after the event that MJF, Danhausen, and Orange Cassidy were all there and I missed out on that too. But it also shows how going to all these comic cons is "work" for us and we have to be at our table and represent the books we create. Yes, we get to have a good time and it is sort of a mini vacation, but we are also there to invest in ourselves.
We hope to be back at NYCC in the future. Big thanks to Francis Bonnet, Joe Carabeo, Hannah Mount, NYCC staff, NYCC volunteers, NCS, the kind people at the hotel, and everyone who stopped by the booth.
Our next tour stop for this year is Baltimore Comic-Con (Booth K17) this coming Friday, Saturday, and Sunday.
Other major occurrences that happened was that I somehow had the energy to run three successful Kickstarter campaigns in one year (Banana Bandana™, Cicada hard enamel pin, and Santa Turtle hard enamel pin). I really enjoyed celebrating the periodical cicadas this year (we won't see them again until 2048!). I am proud of all the projects we brought to life.
Sporadically throughout the year I continued Carolyn's Creative Challenge with a few new project prompts.
In July I served as a Rambassador for VCU Alumni Night at a Richmond Flying Squirrels baseball game.
I was a guest on the Generation GC podcast and had a great time talking about the band Good Charlotte (and yes, I visited La Plata High School for a second time during my stint in Waldorf for Southern Maryland Comic Con).
Another cool thing that happened this year is a Wall Street Journal reporter reached out to me for an interview about Color of the Year and Pantone -- I got quoted in the article for both print and online editions.
Also along the lines of publishing, Black Magic Tales was recently printed in the new Magic Bullet #20 comics newspaper.
Not too sure what 2022 will bring. In many ways 2021 can be viewed at as worse than 2020, but then there is an optimistic side that could be viewed as it can only get better from here. The best thing I can hope for you is that you be safe and happy -- take good care of yourself by eating well and exercising. I want us to be around for the next Cicada uprising in 2048 and the years beyond. That's something to live for!
